References Draft 1

A list of my reference from my first draft of dissertation.

References:

[1] Boys Life Magazine, (2014). What Was the First Movie Ever Made?. [online] Headsup.boyslife.org. Available at: http://headsup.boyslife.org/what-was-the-first-movie-ever-made/ [Accessed 16 Apr. 2016].

2 BBC Education, (1999). BBC Education – Local Heroes Le Prince Biography. [online] Web.archive.org. Available at: https://web.archive.org/web/19991128020048/http://www.bbc.co.uk/education/local_heroes/biogs/biogleprince.shtml [Accessed 16 Apr. 2016].

3 Silent Era, (2009). Silent Era : Progressive Silent Film List. [online] Silentera.com. Available at: http://www.silentera.com/PSFL/data/D/DonJuan1926.html [Accessed 16 Apr. 2016].

4 Bradley, E. (2005). The first Hollywood sound shorts, 1926-1931. Jefferson, N.C.: McFarland.

5 The Jazz Singer. (1927). [film] United States: Alan Crosland, Warner Brothers Pictures, Darryl F. Zanuck.

6 Norman, J. (2012). The First Full-Length Film with Synchronized Dialogue (October 1927) : HistoryofInformation.com. [online] History Of Information. Available at: http://www.historyofinformation.com/expanded.php?id=3522 [Accessed 17 Apr. 2016].

7 Firstenberg, J. (2005). AFI’s 100 Years…100 Movie Quotes. [online] Afi.com. Available at: http://www.afi.com/100Years/quotes.aspx [Accessed 16 Apr. 2016].

8 Singer, P. (n.d.). The Art of Foley – Jack Foley. [online] Marblehead. Available at: http://www.marblehead.net/foley/jack.html [Accessed 16 Apr. 2016].

9 Showboat. (1929). [film] United States: Harry A. Pollard, Universal Studios, Carl Laemmle.

10 Reiner, Y. (2005). Jack Foley: Feet to the Stars. [online] NPR.org. Available at: http://www.npr.org/templates/story/story.php?storyId=3207126 [Accessed 16 Apr. 2016].

11 Ament, V. (2009). The Foley grail. Amsterdam: Focal Press/Elsevier, p.76.

12 Fischoff, S. (2005). The Evolution of Music in Film and its Psychological Impact on Audiences. Ph.D. California State University.

13 Metcalfe, N. (2013). Sound Design for Visual Media & Radio. Sound on Sound.

14 Ament, V. (2009). The Foley grail. Amsterdam: Focal Press/Elsevier, p.10.

15 Metcalfe, N. (2014). Sound Design For Visual Media. Sound on Sound. [online] Available at: http://www.soundonsound.com/sos/aug14/articles/designer-sounds-0814.htm [Accessed 16 Apr. 2016].

16 Weis, E. and Belton, J. (1985). Film sound. New York: Columbia University Press.

17 Cavalcanti, A. (1910). Sound in Films. Film Sound: Theory and Practice.

18 Cavalcanti, A. (1910). Sound in Films. Film Sound: Theory and Practice, p.109.

19 Chion, M., Gorbman, C. and Murch, W. (1994). Audio-vision. New York: Columbia University Press.

20 Chion, M., Gorbman, C. and Murch, W. (1994). Audio-vision. New York: Columbia University Press, p.Foreward.

21 Chion, M., Gorbman, C. and Murch, W. (1994). Audio-vision. New York: Columbia University Press, p.21.

22 Chion, M., Gorbman, C. and Murch, W. (1994). Audio-vision. New York: Columbia University Press, p.127.

23 Sonnenschien, D. (2001). Sound Design: The Expressive Power of Music, Voice and Sound Effects in Cinema. Studio City, California: Michael Weise Productions.

24 Sonnenschien, D. (2001). Sound Design: The Expressive Power of Music, Voice and Sound Effects in Cinema. Studio City, California: Michael Weise Productions, p.27-28.

25 Grove, E. (2014). The 13 Steps Of Post-Production – Raindance. [online] Raindance. Available at: http://www.raindance.org/the-13-steps-of-post-production/ [Accessed 16 Apr. 2016].

26 Alten, S. (1986). Audio in media. Belmont, Calif.: Wadsworth Pub. Co.

27 Roberts, M. (2015). Music makes you feel better. [online] Psychologies. Available at: https://www.psychologies.co.uk/music-makes-you-feel-better [Accessed 16 Apr. 2016].

28 Hollis, B. (1999). Pre-Renaissance Music: The Evolution of Instruments and Theory. [online] The Method Behind The Music. Available at: http://method-behind-the-music.com/history/history/ [Accessed 16 Apr. 2016].

29 Schulkin, J. and Raglan, G. (2014). The evolution of music and human social capability. Front. Neurosci., 8.

30 Larsen, P. and Irons, J. (2007). Film music. London: Reaktion.

31 Metropolis. (1927). [film] Germany: Fritz Lang, Universum Film AG, Erich Pommer.

32 The Graduate. (1967). [film] Los Angeles, Calfifornia: Mike Nichols, AVCO Embassy Pictures, Lawrence Turman.

33 Viers, R. (2008). The sound effects bible. Studio City, CA: Michael Wiese Productions.

34 Yewdall, D. (2012). Practical art of motion picture sound. Waltham, MA: Focal Press.

35 Yewdall, D. (2012). Practical art of motion picture sound. Waltham, MA: Focal Press, p.22.

36 IMDb, (n.d.). The Taking of Flight 847: The Uli Derickson Story. [online] International Movie Database. Available at: http://www.imdb.com/title/tt0096216/awards?ref_=tt_awd [Accessed 16 Apr. 2016].

37 Ament, V. (2009). The Foley grail. Amsterdam: Focal Press/Elsevier.

38 Ament, V. (2009). The Foley grail. Amsterdam: Focal Press/Elsevier, p.69.

39 Judd, F. (2013). Electronic Music and Musique Concrète. London: Foruli Classics.

40 Winston Reynolds, F. (1959). Amateur Tape Recording Magazine.

41 Roggendorf, B. and Belhes, G. (2001). Ableton Live. Berlin: Ableton.

42 Henshall, M. (2011). Musique Concrète – Pioneering Electronic Music – Part1. [online] Sound Matters. Available at: http://www.soundmattersblog.com/musiqueconcrete1/ [Accessed 16 Apr. 2016].

43 Schell, C. (1992). The Value of the Case Study as a Research Strategy. Undergraduate. Manchester Business School, p.14.

44  Brock, F. (2010). The Importance of Practice | Use it or Lose it. [online] Prolific Living. Available at: http://www.prolificliving.com/the-importance-of-practice-use-it-or-lose-it/ [Accessed 16 Apr. 2016].

45 Bachchan, A. (2015). What is Test Screening and should I do it?. [Blog] Indee Blog. Available at: http://blog.indee.tv/2015/07/test-screening-and-why-should-i-do-it/ [Accessed 16 Apr. 2016].

46 Jones, C. (2000). Guerilla Film Makers Handbook. London: Continuum, p.359.

47 Thompson, E. (2014). Why Bosses and Employees Shouldn’t Be Friends. [online] The Huffington Post Canada. Available at: http://www.huffingtonpost.ca/evan-thompson/office-friendship_b_5835576.html [Accessed 17 Apr. 2016].

48 The Lord of the Rings: The Return of the King. (2003). [film] New Zealand: Peter Jackson, Wingnut Films, Barrie M. Osborne.

49 Shore, H. (2003). The End of All Things. [CD] Burbank, California: Reprise.

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